Location: Abhaneri Village, Near Bandikui, District Dausa, Rajasthan
Find it on Google Map
We had travelled on the
Agra Jaipur Highway i.e. NH21 (or Bikaner Agra NH21) many a times and had
always been mesmerised by the beauty of the route. But surprisingly we had
never thought of taking short diversions or stopping to check out.
We were coming back
from Jaipur, slightly disheartened on missing out on checking out the Panna
Meena ka Kund (stepwells) at Amer. We had left early and were sure that we had
ample time to reach back our destination. So we decided to check out at least
one of the diversions we could take from the highway – the choice was between –
Abhaneri and Bhangarh. The vote went to Abhaneri for various reasons – we had
to just travel around 35 Kms (around 22 miles) from the main highway (from Dausa),
Abhaneri has the oldest stepwell in Rajasthan (we had read about it) and it shouldn’t
take us more than an hour to check out the entire place.
It’s not difficult to
reach Abhaneri. Drive on the NH21, cross Dausa and move onwards to Sikandara,
Just after the Indian Oil pump turn left (if coming from Jaipur) on the
Sikandara-Toda Bheem Road, (the same road which goes to Bandikui and Alwar).
There are clear signs before turning left about Abhaneri, one cannot miss them.
The road is a partial toll road. Drive on, cross the BaanGanga River at
PeechuPara Kalan, drive further, turn right at Naveen Kirana Store Guler on to
Abhaneri road. The Abhaneri road is a beautiful road (not very wide) with farms
on both the sides. Cross the HP Petrol pump and you would have reached your
destination.
Take a right turn when you see this |
The temple is dated
back to 8-9th Century and was constructed by King Chand or Chandra
of Nikumbha dynasty. It is said that it was the king who had established Abhaneri
(earlier known as Abha Nagri – the city of brightness).
The temple is was
extensively damaged by Mahmud Ghazni. What was left was sanctum shorn of its
superstructure which stands on two stepped terraces.
This east facing temple
(an example of Mahmeru style) was built on a raised platform. The sanctum is pancharatha
on plan (a hindu temple could be triratha, panchratha, saptaratha or navratha
in plan) with pillared mandapa (a mandapa is the entrance to the temple, it may
be a portico or colonnaded (series of columns placed at regular intervals) hall
that incorporates space for large number of worshippers). The temple has a sculpted niche on each buttress
of the wall. The sanctum is enclosed by an ambulatory.
The cardinal niches
show Vishnu (Vasudeva), Balrama (Sanakarshana) and Pradyumna on the south, north
and west, indicating that the original temple was dedicated to Lord Vishnu. Presently
it enshrines an image of a Devi locally called Harshat Mata (Goddess of
happiness).
This temple was not
originally a temple of goddess. The image which is in the temple currently does
in no way belong to the sculpture styles of the 10th -12th
century. You would find similar marble images across many temples in North
(some temples are as recent as a year or two old). Many locals (self-styled
guides) would tell you cooked up stories about Harshad Mata (from centuries
ago), not at all close to the historical facts. You are free to click
photographs (please don’t get fooled by locals if they tell you that you are
not allowed to click photographs). Some people will tell you that the temple
was restored by the King of Jaipur in 18th Century – another story
and not a fact. Whatever restoration and maintenance is being done, is being
done by Archaeological Survey of India (Jaipur Circle).
There was a priest in
the temple when we went there and also a local village woman. Thankfully
neither the priest nor the local pushed us to do anything, and didn’t stop us
from clicking pictures. We didn’t though enter the main area (Girbhgriha) with
shoes (probably our religious beliefs).
The temple is a hidden
gem. The main attraction are its beautiful sculptures which can be found carved
in niches around the main plinth, walls and pillars and even on the broken
stones lying around.
The sculptures reflect
the secular society of the time. The themes of the sculptures are both
religious and secular; include dance, music, garden-sports and love depicted
with rich luxuriousness. Some of the sculptures on the theme of love are erotic
in nature.
This temple is definitely
worth a visit for the beautiful sculptures which are a reflection on the society
that was, our beautiful heritage.
We enjoyed the visit as
the sculptures not only showed us the richness of our heritage, they showed us
a different and beautiful perspective of the religion many of us have failed to
understand.
Average visit time –10 minutes
– 25 minutes
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